bogsvarog
07-12-08, 00:18
Triumph des Willens (Full movie - English subbed):
GcFuHGHfYwE
The film of the Sixth Party Rally of the National Socialists, which took place from September 4th to September 10th, 1934, in Nuremberg. This was Leni Riefenstahl's second  and only full-length  film for the National Socialist Party (NSDAP), and as an award-winning masterpiece of camerawork, direction and editing, it is widely agreed by virtually every film critic to be the greatest propaganda film of all time. As with the two other, shorter films which she did for the NSDAP, Der Sieg des Glaubens (1933) and the later Tag der Freiheit!  Unsere Wehrmacht! (1935), unlike the typical propaganda films put out by the Nazi party during that period, Triumph des Willens contains no running commentary and thus could technically rather be considered to be a documentary film, and with its style perhaps even an art film. However, the propagandistic political value of this film in promoting Adolf Hitler and the Nazi Party is also clearly undeniable, its effect on the people of Germany and, indeed, the entire world is a matter of record and history, and in that regard it may very well be perhaps the most significant, most influential  and certainly the most infamously controversial  film of the 20th century.
GcFuHGHfYwE
The film of the Sixth Party Rally of the National Socialists, which took place from September 4th to September 10th, 1934, in Nuremberg. This was Leni Riefenstahl's second  and only full-length  film for the National Socialist Party (NSDAP), and as an award-winning masterpiece of camerawork, direction and editing, it is widely agreed by virtually every film critic to be the greatest propaganda film of all time. As with the two other, shorter films which she did for the NSDAP, Der Sieg des Glaubens (1933) and the later Tag der Freiheit!  Unsere Wehrmacht! (1935), unlike the typical propaganda films put out by the Nazi party during that period, Triumph des Willens contains no running commentary and thus could technically rather be considered to be a documentary film, and with its style perhaps even an art film. However, the propagandistic political value of this film in promoting Adolf Hitler and the Nazi Party is also clearly undeniable, its effect on the people of Germany and, indeed, the entire world is a matter of record and history, and in that regard it may very well be perhaps the most significant, most influential  and certainly the most infamously controversial  film of the 20th century.